नमस्कार हमारे न्यूज पोर्टल - मे आपका स्वागत हैं ,यहाँ आपको हमेशा ताजा खबरों से रूबरू कराया जाएगा , खबर ओर विज्ञापन के लिए संपर्क करे +91 97826 56423 ,हमारे यूट्यूब चैनल को सबस्क्राइब करें, साथ मे हमारे फेसबुक को लाइक जरूर करें , Midfest film ‘The Commandant’s Shadow’ showcases a new perspective on the Holocaust. – Raj News Live

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Midfest film ‘The Commandant’s Shadow’ showcases a new perspective on the Holocaust.

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Mumbai 19 June,2024-There is a great potential in India for international co-productions, says Daniela Volker, Director of the Film ‘The Commandant’s Shadow’. She was speaking at a Press Conference at the 18th Mumbai International Film Festival. “Being a vast country, there is so much content in India. India is bursting with fascinating tales and I would love to see Indian stories becoming global and reach wider audiences”, she said. ‘The Commandant’s Shadow’, was screened today at MIFF as the official Mid -Fest Film. Völker’s timely and poignant documentary follows Hans Jürgen Höss, the 87-year-old son of Rudolf Höss, as he faces his father’s terrible legacy for the first time. His father was the Camp Commandant of Auschwitz and masterminded the murder of over a million Jews. While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens. Also present for the Press Conference were Executive Producer of the film Sajan Raj Kurup and Co Executive Producer Wendy Robbins.(In Photo: Daniela Volker, Director of the Film ‘The Commandant’s Shadow’ and Producers Sajan Raj Kurup and Wendy Robbins participating in press conference at MIFF 2024)                                                      Elaborating on the content she gathered for the film, Director, Daniela Volker said that the base for the film was the manuscript written by Rudolf Hoss just seven or eight weeks before being sent to death. “This manuscript has never before been seen or filmed. The film tells you exactly what happened she says, in Hoss’s own words. The films sets this narrative, of how Auschwitz was imagined and built with gas chambers and everything against the constant dichotomy of Rudolf Hoss’s letter to his nine year old son where we see glimpses of him as a good and loving father,” she explained.

 

 

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